The project seeks guidance from the works of Coderch or Vazquez Molezún, embracing a clear but not rigid order, tailored to the inhabitant's scale to offer places instead of spaces, utilizing simple materials and basic construction. The red hues of clay and metal, pine, and chestnut evoke both Cantabrian or Basque farmhouses and Mediterranean vacation homes, while also aspiring to Northern European austerity in harmony with nature.
PHOTO:
Germán Saiz
The project seeks guidance from the works of Coderch or Vazquez Molezún, embracing a clear but not rigid order, tailored to the inhabitant's scale to offer places instead of spaces, utilizing simple materials and basic construction. The red hues of clay and metal, pine, and chestnut evoke both Cantabrian or Basque farmhouses and Mediterranean vacation homes, while also aspiring to Northern European austerity in harmony with nature.
PHOTO:
Germán Saiz
The project seeks guidance from the works of Coderch or Vazquez Molezún, embracing a clear but not rigid order, tailored to the inhabitant's scale to offer places instead of spaces, utilizing simple materials and basic construction. The red hues of clay and metal, pine, and chestnut evoke both Cantabrian or Basque farmhouses and Mediterranean vacation homes, while also aspiring to Northern European austerity in harmony with nature.
PHOTO:
Germán Saiz
The project seeks guidance from the works of Coderch or Vazquez Molezún, embracing a clear but not rigid order, tailored to the inhabitant's scale to offer places instead of spaces, utilizing simple materials and basic construction. The red hues of clay and metal, pine, and chestnut evoke both Cantabrian or Basque farmhouses and Mediterranean vacation homes, while also aspiring to Northern European austerity in harmony with nature.